Was virgil abloh gay
Azealia Banks says ‘Kanye and Virgil were lovers’ after rapper confesses he had sexual relations with male cousin
Published on: Apr 22, 2025 07:25 pm IST
Azealia Banks, who is known for her contentious social media posts, linked Kanye West to several high-profile men, including Elon Musk
Azealia Banks claimed Kanye West and late fashion designer Virgil Abloh “were lovers.” The 33-year-old's controversial remark comes after the Gold Digger rapper shockingly confessed to having an incestuous relationship with a male cousin in a bizarre X post on Monday.
Rapper Azealia Banks claims Kanye West and Virgil ‘were lovers’
Banks, who is known for her contentious social media posts, linked the 24-time Grammy winner to several high-profile men, including Elon Musk. In a post shared on X, which has garnered over 230K views, the 212 hitmaker said, “Kanye and Virgil were lovers. Elon def got some head from Kanye off that Ketamine.”
The New York-based rapper also claimed that West “is on one of them Diddy tapes.” “Jay-Z was like no h**o. Trump was favor no h**o. Travis was like no h**o. Drake was like no praise you. Amber hit him with the strap. Kim thought she could, but vomited
University of Fashion Blog
50 YEARS OF HIP HOP: A FASHION REVOLUTION
In their kente cloth kufi hats, custom varsity jackets, tights and dookie chains, Salt-N-Pepa were committed hip-hop way maximalists. (Photo Credit: Janette Beckman)
In the chronicles of pop culture history, several movements have had a lasting impact as profound as Hip Hop. Emerging from the streets of New York City’s South Bronx in the 1970s, Hip Hop transcended its musical origins to become a cultural juggernaut. Its influence on fashion, in particular, has been nothing concise of revolutionary. As we celebrate 50 years of Hip Hop, it’s a fitting time to explore how this dynamic art develop shaped and continues to inspire the world of fashion.
To truly understand the relationship between Hip Hop and fashion, we must first take a journey back to where it all began. In the initial 1970s, the South Bronx was a hotbed of imaginative energy, despite its struggling socio-economic conditions. It was here that Hip Hop first sprouted its roots, encompassing not only music but also dance, graffiti art, and fashion. It was a form of self-expression and empowerment for the marginalized youth of the area.
How an impromptu pizza party soundtracked by Joy Division shattered fashion house ceilings and shifted streetwear margins.
Ten years ago, Virgil Abloh thumbed the cracked screen of an iPhone and pressed share.
Uploaded to his followers interested in architecture, skateboarding, and graphic style came a bold block of black and white striping announcing OFF-WHITE: an Italian fashion label founded by the son of Ghanaian immigrant parents.
From Milan to the Mercer, Chicago to Shanghai, the Illinois native who went from studying at Wisconsin to touring the world with Kanye West formally founded his first solo art project of scale. In less than a decade, OFF-WHITE would acquire the imaginative keys from Nike and a 60% ownership stake from LVMH.
But years before billion-dollar behemoths elected Abloh as auteur, the Midwest kid was piecing together a clothing collection that would ultimately become OFF-WHITE. It was a side hustle bubbling behind the scenes of his day career of art-directing albums for A$AP Rocky and John Legend.
One Abloh seemingly had no time for but had to make period for before time ran out. After all, the world was supposed to end.
See, on Dec. 12, 2012, the
Caleb Femi and Virgil Abloh in conversation
VA: We are competent to explore our roots through a constant conversation with ourselves. We form work, then we analyse it, then we read about the work and how it’s received and it comes back. This collection for me was an amazing one, because when I show collections in a European system there’s always a sort of, ‘Wait, is he doing it right?’ That’s why we demand for diversity in fashion, because we want diverse fashion. We don’t wish 50 years of what we saw before. And we’re not just Africans with a colour palette, a silhouette, a shape that is intriguing and you can just take, you know? It’s like, hold on , that country raised a child who came and created, learned his control craft and represented that, and now we have a designer who is from that place. And that’s an essential lesson – it’s why I got more vigorous in the people, because the only thing we want to do is be more vocal and present to create the earth that we wish to exist. It’s not a marketing campaign, it’s not an Instagram send to say ‘we object to systemic racism’. It needs action, it needs creativity, and what I love about our stories is that it’s embedded in the work.
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