Gay broadway
The Big Gay Jamboree
THE BIG GAY JAMBOREE PLAYED ITS Closing PERFORMANCE ON SUNDAY, DECEMBER 15, 2024.
From the Oscar-nominated producers of BARBIE and the delulu creator of the Off-Broadway hit TITANIQUE comes THE BIG GAY JAMBOREE, a big new musical comedy that’s pushing the envelope…and the gay agenda.
Help! Stacey’s fallen into a musical and she can’t get out. Last night, she got a little bit blackout drunk. This morning, she woke up in some b*tch ass Music Man world where everybody keeps bursting into song & gyrate, and where homosexual still just means happy. Maybe it’s a dream. Maybe it’s an allergic reaction to her birth control. Or maybe it’s Maybelline (don’t sue us! sponsor us? we’ll talk later). But if Stacey’s truly trapped inside a Golden Age musical, there’s only one way out: hum out! Or detect the stage door. Whatever gets the most applause.
Starring one of Vanity Fair’s “brightest stars of New York theatre” and the world’s second favorite Celine Dion, MARLA MINDELLE, The Big Queer Jamboree is here to make you roar, make you wail laughing, and generate you laugh crying.
Broadway's Relationship with the LGBTQ+ Community: A History of Visibility and Activism
As the curtain lifts, the history of Broadway unveils a colorful tapestry woven with diverse threads that tell tales of love, heartbreak, triumph, and resilience. Notably, one thread that has always been central to this rich tapestry is Broadway's deep-rooted bond with the Homosexual community. A symbiotic bond that has stood the prove of time, the nexus between the LGBTQ+ community and Broadway has been instrumental in shaping the cultural landscape in the U.S..
For the LGBTQ+ group, Broadway has served as a platform for representation, a safe haven for expression, and a catalyst for modify. Additionally, the Queer community has contributed significantly to the creative energy of Broadway, influencing its evolution and propelling it to the forefront of cultural discourse.
The representation of LGBTQ+ characters dates back to the early 20th century. While the presence of these characters served to thank the existence of the LGBTQ+ society, the portrayal was not always nuanced or progressive. Ahead depictions often leaned heavily into stereotypes, with LGBTQ+ cha
It is no secret that many LGBTQ+ people acquire a special affinity for Broadway musicals. "Keep it gay!" sings the flamboyant director in The Producers, and musical theater has long drawn nonstraight folks to the ranks of its creators, performers and fans. But it is only in the past fifty years or so that tuners have actually featured openly gay characters onstage—and the result has been some of the best Broadway shows of all time. Here is our list of the top musicals with strong gay themes, ranked for their combination of quality, historical importance and Queer content. We've limited the list to ten, which means that some very good shows did not quite build the cut. But there's an awful lot here to be proud of.
RECOMMENDED: Complete A–Z listing of current Broadway shows
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Something queer this way comes: Leading LGBTQIA+ shows on Broadway
Queer art and entertainment has been as much about the beauty and resilience of the community as it has been about nuanced portrayals of the human condition. With heaping amounts of attitude and glamor thrown in, for good measure. While representation in film and television has been a struggle, especially after the passing of the Hays Code, theater has been an arena where the queer community has always shone.
Here are some of the best LGBTQIA+ shows that have graced the Broadway stages and left a mark for the ages.
Cabaret
A Kander and Ebbs masterpiece, Cabaret opened on Broadway in 1966. It has been revived multiple times on Broadway alone and earned so many awards, it's hard to preserve track. But every award is well-earned. The musical is based on John Van Druten's 1951 play I Am a Camera which was itself based on Christopher Isherwood's semi-autobiographical novel Goodbye to Berlin (1939).
The story is set in Berlin in 1929-1930, a time when the "gay capital of Europe" transitioned from a utopia for queer folk into the hotbed of fascism and Nazism, both of which cri